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"Pearl" is the only composition the composer has ever
written about a person. He has written works that tell stories
about people. He has dedicated compositions to people. He
has been inspired by people, but never composed anything that represents
someone's personality the way "Pearl" does. Composed in October
2005, this work is the musical painting of the woman who would become
the composer's wife almost two years later.
Each musical aspect of the two
movements symbolizes a different characteristic of Pearl's personality.
Woven into the music is her quiet, caring, devoted nature, her love for
God, her passion for the things she believes in, her wisdom, her logical
and analytical approach to life, and her care-free disregard for the
pressures that force many other women to be less than true to
themselves. All of these facets of Pearl are portrayed through
symbolism, atmosphere, and mood.
The first movement is best described
as "unfolding". In an unassuming way, the piece unfolds like a
delicate blossom confidently moving from bud to full bloom. This
"unfolding" represents the gradual discovery of the depth of a
personality as a relationship grows. The second movement
represents the patient waiting associated with allowing a relationship
to grow and mature. The subtle use of silence is symbolic of this
patience, and adds richness to the piece.
The debut performance of this remarkable composition formed part of the
October 2008 Faculty Recital at Rice University, Houston, Texas.
"Pearl" is appropriate for college or
professional level musicians. As a serious work, "Pearl"
makes an excellent recital piece. The unusual brass trio
instrumentation for this work is an added bonus and makes the piece
ideal for integration in a brass quintet repertoire, as it provides
a rest opportunity for the trombone and one of the trumpets.
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